There is substantial mythology about Crete. The Minoan civilization, which predated the better known classical Hellenic period by several hundred years, disappeared catastrophically, battered by volcanic eruptions and barbarian incursions. Successive generations, starting with the classical Greeks, created a vast number of myths about the vanished sea-empire. The Homeric epics, Daedalus and Icarus, King Minos and the Minotaur, and even, as Mackenzie points out, Atlantis, were all influenced by hearsay and speculation about the lost Cretan empire.

At the beginning of the 20th century archeologists finally started to excavate the Minoan ruins. Based lagely on circumstantial evidence such as the vivid wall art and the startling Goddess iconography, popularizers like Mackenzie built an entire new set of myths about the ancient Cretans. This mythology was eagerly adopted by neo-pagans, starting with Robert Graves, who wrote a little-known science fiction novel on the subject, Watch the Northwind Rise.

What do we actually know about Minoan mythology as of today? In a word, nothing. The Minoans developed the first known European writing systems, known as Linear A and B. Linear B was deciphered by Michael Ventris in 1952. Only commercial documents have been found, as befits a sea-trading empire. The other Minoan script, Linear A, remains a mystery. Although the phonetic values of some Linear A symbols have been tenatively identified, they have yet to be translated. So we have no translated Minoan religious documents to work with, although we can infer that certain Linear A texts are magical or religious in nature because they are inscribed on ritual objects.

We can assume from the prevelence of female images in ritual contexts that the Minoans worshipped one or more Goddesses. We also know that animals played an important role in their rituals, particularly snakes and bulls. However, any attempt at this point to make definite statements about their mythology or spiritual practices is inferential at best.

One factual correction must be noted. The story of Schliemann's Atlantis bequest, reported in Chapter V, page 98, turned out to be a complete hoax. This yarn appeared in a sensationalist Hearst newspaper in 1914, and as this book was written only a few years later, we can probably forgive Mackenzie for reporting it as fact. The entire article, How I found the Lost Atlantis, along with our analysis of it, is also at sacred-texts.

Nevertheless, Mackenzie, who also wrote Myths and Legends of Ancient Egypt, manages to stretch the subject matter out into a full 300 page book. Informative, well researched and very readable, Myths of Crete is a unique book about a very opaque period of history.

	Page
LADIES OF THE MINOAN COURT From the painting by John Duncan, A.R.S.A.	Frontispiece
THE SNAKE GODDESS OF CRETE From the painting by John Duncan, A.R.S.A.	facing 58
THE BULL-BAITERS From the painting by John Duncan, A.R.S.A.	" 186
SEA TRADERS FROM CRETE From the painting by John Duncan, A.R.S.A.	" 218

PLATES IN COLOUR

Comments and social are coming soon