This is an anthology of English translations of Pushto poets from the 16th century on. Most, if not all, of these poets are Sufi. They utilize the poetic vocabulary of Sufiism: the tavern, the wine, the flowers, etc., all actually technical terms describing the soul's progression on the mystical path towards God. Raverty's introductory essay, "Remarks on the Mystic Doctrine and Poetry of the Sufis" provides a skeleton key to the symbology.

Most of the writers included here were, in addition to being Sufi poets, tribal leaders, men of action, in many cases related in some fashion. For instance, the prolific Khushhal Khan fathered Ashraf Khan and Abd-ul-Kadir Khan, all very formidable poets and warriors. Their poetry reflects a tribal, patriarchal society (women don't normally appear in these texts except as the 'beloved,' or a target of scorn). However, this is not the bleak, bigoted, art and music starved world of the Taliban. It is clear that not all of that Sufi joie de vivre is metaphorical, and many of the verses display a wicked sense of humor. The descriptions of nature are realistic, and their love of country is fierce.

This is an anthology of English translations of Pushto poets from the 16th century on. Most, if not all, of these poets are Sufi. They utilize the poetic vocabulary of Sufiism: the tavern, the wine, the flowers, etc., all actually technical terms describing the soul's progression on the mystical path towards God. Raverty's introductory essay, "Remarks on the Mystic Doctrine and Poetry of the Sufis" provides a skeleton key to the symbology.

Most of the writers included here were, in addition to being Sufi poets, tribal leaders, men of action, in many cases related in some fashion. For instance, the prolific Khushhal Khan fathered Ashraf Khan and Abd-ul-Kadir Khan, all very formidable poets and warriors. Their poetry reflects a tribal, patriarchal society (women don't normally appear in these texts except as the 'beloved,' or a target of scorn). However, this is not the bleak, bigoted, art and music starved world of the Taliban. It is clear that not all of that Sufi joie de vivre is metaphorical, and many of the verses display a wicked sense of humor. The descriptions of nature are realistic, and their love of country is fierce.

This is an anthology of English translations of Pushto poets from the 16th century on. Most, if not all, of these poets are Sufi. They utilize the poetic vocabulary of Sufiism: the tavern, the wine, the flowers, etc., all actually technical terms describing the soul's progression on the mystical path towards God. Raverty's introductory essay, "Remarks on the Mystic Doctrine and Poetry of the Sufis" provides a skeleton key to the symbology.

Most of the writers included here were, in addition to being Sufi poets, tribal leaders, men of action, in many cases related in some fashion. For instance, the prolific Khushhal Khan fathered Ashraf Khan and Abd-ul-Kadir Khan, all very formidable poets and warriors. Their poetry reflects a tribal, patriarchal society (women don't normally appear in these texts except as the 'beloved,' or a target of scorn). However, this is not the bleak, bigoted, art and music starved world of the Taliban. It is clear that not all of that Sufi joie de vivre is metaphorical, and many of the verses display a wicked sense of humor. The descriptions of nature are realistic, and their love of country is fierce.