II. Linear Perspective: 102.
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II. Linear Perspective: 102.
102.
I GIVE THE DEGREES OF THE OBJECTS SEEN BY THE EYE AS THE MUSICIAN DOES THE NOTES HEARD BY THE EAR.
Although the objects seen by the eye do, in fact, touch each other as they recede, I will nevertheless found my rule on spaces of 20
braccia each; as a musician does with notes, which, though they can be carried on one into the next, he divides into degrees from note to note calling them 1st, 2nd, 3rd, 4th, 5th; and has affixed a name to each degree in raising or lowering the voice.
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